Olga Werby

Olga Werby, Ed.D., has a Doctorate from U.C. Berkeley with a focus on designing online learning experiences. She has a Master's degree from U.C. Berkeley in Education of Math, Science, and Technology. She has been creating computer-based projects since 1981 with organizations such as NASA (where she worked on the Pioneer Venus project), Addison-Wesley, and the Princeton Review. She conceived, designed, and illustrated the award-winning "Field Trips" series of programs distributed by Sunburst Communications. Olga has a B.A. degree in Mathematics and Astrophysics from Columbia University. Olga currently teaches interaction design and cognitive theory at the American University in Paris and the University of California at Berkeley Extension Program. She was part of the faculty of San Francisco State University's Multimedia Studies Program, the Bay Area Video Coalition, and the campus of Apple Computers. Olga is a member of the Association for the Advancement of Computing in Education. She also holds a California teaching credential and is part of the San Francisco Unified School District where she often tests science-related curriculum materials in public elementary and middle schools.

Summer Blues

Covid

After four years of dodging COVID, we finally succumbed. It’s a nasty virus and, after two weeks in bed, I’m just starting to be able to write again. I did read a few books while sick, and I wasn’t fond of any of them! I didn’t find the characters interesting, and the storylines were boring, and frankly I didn’t see a point in the narrative. There were too many names and characters all introduced up front and I couldn’t keep track of who was who and why I should care. Given how I felt, I can’t leave reviews — I was in the wrong frame of mind. But it was interesting in retrospect. All readers are different. It’s not only our abilities, it’s our cultural backgrounds, our language skills, our availability to read at times when we are able to process information easily, our time in general. There are readings that are just like candy — fun and delicious. And there are those that are “good for you.” And, of course, there are books and articles that we read for professional advancement. All require different support structures to make the reader’s task easier. Indexes, bibliographies, just-in-time lookups, dictionaries, note taking,…

Expanding and Shrinking Horizons

Itsy Bitsy Spider

It’s a Father’s Day weekend, and we have a lot to celebrate. My son’s graduation ceremony is on Father’s Day! He earned his doctorate in physics! He is also a great dad to a little girl and his birthday is a day before. It’s a full weekend of joy! Fatherhood can be complicated and all complicated things make great stories. I’ve considered which of my books has the most interesting father story and decided that Mirror Shards must be the one. So I’ve setup a giveaway of that ebook on Amazon for the next 5 days. Happy Father’s Day! When we are young, our conscious thoughts rarely extend beyond the immediate reality of our lives — playing with toys, visiting playgrounds, eating snacks, and receiving love and attention from our parents. Children seldom think beyond the next day or two. The ability to envision a longer future signifies maturation. As we grow older, our mental horizons broaden, we become more aware of the world, develop an interest in others, and learn to plan for the future. Yet, as we age, these horizons often narrow again. Some interpret this as a kind of selfishness of old age, but it truly reflects…

Essence

Snow White

Stories can bring the salient details of life to light. Real life contains a lot of noise and extraneous detail that can obscure a through line. Fictional stories remove that noise to rise the core themes and emotions to the surface for observation and examination. Fictional stories both pare down and embellish real life. They zoom in on the important stuff and focus the reader’s attention squarely there. When the story captures something true about the lives of its characters, it binds us to them. Usually, we find a story engrossing when we care about the characters and want to see what happens to them. While some portrait painters insist on live sittings with their subjects, it’s easier — although perhaps more facile — to start with a photograph. Photographs manage to capture some essence of personality, to flatten it into something easier to paint, simplifying the process of portraiture. Caricatures identify particular features of their subjects and render them in a ruthless way. In the realm of words, identifying salient features in characters and their world makes them more memorable and makes their actions more comprehensible. Perhaps caricatures resemble jokes in this way. Last month, I wrote about fairytales.…

Swan Lake, The Ultimate Sacrifice Story

Swan_Lake-Poster-1931

When I was about five, I was obsessed with Swan Lake. I adored the score and played the record over and over again. I remember attending the ballet, but it was the music and the story that truly captivated my soul. The music, written by Pyotr Ilyich Tchaikovsky between 1875 and 1876, is sublime. Even now, I can pinpoint where we are in the story just by hearing a few chords; the ending still brings me to tears. But what affects me the most — is it the music or the story? Here’s a quick summary of the story: a princess, cursed to live as a swan during the day, regains her human form at night. One evening, a prince, out hunting, encounters her and falls deeply in love. While court intrigues attempt to lead the prince to choose a bride and a malevolent witch tries to deceive him, these elements pale in comparison to the climax. Ultimately, the prince forsakes his humanity, transforming into a swan to join the woman he loves. Together, they fly away, a happy couple. Swan Lake embodies a mythic story archetype, echoed throughout fantasy and fiction. Consider Twilight, where a lover surrenders her humanity…

Musings About Time

sand hour clock

The past is gone. The future hasn’t happened yet. The present is a liminal space between two non-existent things. We’re encouraged to stay present and live in the moment. But who really does that? Primarily, it’s young children and adults under duress. Young children live in the moment; their time is now. A toddler of a certain disposition doesn’t understand that taking a nap now will make them happier later. That kind of thinking requires conceptualizing a future self and taking actions now for its benefit. Those concepts take time to develop. Children typically develop time perception roughly equal to that of an adult by about eight years of age. [(2021) Development of Young Children’s Time Perception: Effect of Age and Emotional Localization] Another set of humans who are trapped in the moment are people caught in disasters — be it wars, personal attacks, illness, weather events, or earthquakes. Like young children, these individuals are also anchored in the present. When faced with the immediate demands of a catastrophe, there is little room left to consider the past or the future. Typically, as adults, we find ourselves oscillating between the past and the future, seldom pausing to embrace the now.…

The Opposite of Play is Not Work But Depression

Rosie the Riveter We Can Do It poster J. Howard Miller circa 1942-1943 World War II

People who are happy are able to turn even routine tasks into play. Or perhaps it is the other way around — people who can to turn routine tasks into play are generally happier. We know that people who manage to turn repetitive and tedious tasks — like working on an assembly line in a factory — into a game, manage to thrive as compared to those who see only boredom and frustration. People can engage with any task by gamifying it. Yes, that’s why that word gets thrown around a lot — a design constrain that aims to turn monotony into a fun activity. The problem with gamifying is the nature of a play — what makes a game fun for one person might not work for another. For me, creative writing is a play of the mind, but it is probably a punishment for others. As they say, “it’s nice to have written, but it sucks to write.” But when I write, I’m free. It’s the most exquisite of games for me. In life, there are tasks we have to do and those we get lucky to do. My grandmother cooked dinner for our family for decades, as…

Setting. Characters. Story.

Australopithecines

Setting and characters dictate how the story will play out when told. The same story can be told in a Victorian setting, as a space opera, or as a modern day fiction. “Pride and Prejudice” in space? Sure! Darcy can be a dashing if deeply flawed space captain alien. The setting won’t change the story’s emotional tone all that much, but the details will be substantially different. Darcy can be a mage…or a dragon…or a merman…or a an enchanted sward in a fantasy novel. Darcy can be man or a woman or anything in between — it’s the character traits that matter. Imagine “Beauty and the Beast”. How many different ways can this story be told if the setting changed? Millions! In fact, we know that some readers look to read the same story over and over again set in another time and place and variations of characters. Humans get a lot of pleasure from repetition and the ending we expect (happy or not). This is one of the reasons that some people read exclusively in one genre — when personal life is complicated and unpredictable, a little surety is appreciated in one’s entertainment. People search for emotional resonance that…