After four years of dodging COVID, we finally succumbed. It’s a nasty virus and, after two weeks in bed, I’m just starting to be able to write again. I did read a few books while sick, and I wasn’t fond of any of them! I didn’t find the characters interesting, and the storylines were boring, and frankly I didn’t see a point in the narrative. There were too many names and characters all introduced up front and I couldn’t keep track of who was who and why I should care. Given how I felt, I can’t leave reviews — I was in the wrong frame of mind. But it was interesting in retrospect. All readers are different. It’s not only our abilities, it’s our cultural backgrounds, our language skills, our availability to read at times when we are able to process information easily, our time in general. There are readings that are just like candy — fun and delicious. And there are those that are “good for you.” And, of course, there are books and articles that we read for professional advancement. All require different support structures to make the reader’s task easier. Indexes, bibliographies, just-in-time lookups, dictionaries, note taking,…
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Book, My Books, Newsletter
The Opposite of Play is Not Work But Depression
by Olga Werby •
People who are happy are able to turn even routine tasks into play. Or perhaps it is the other way around — people who can to turn routine tasks into play are generally happier. We know that people who manage to turn repetitive and tedious tasks — like working on an assembly line in a factory — into a game, manage to thrive as compared to those who see only boredom and frustration. People can engage with any task by gamifying it. Yes, that’s why that word gets thrown around a lot — a design constrain that aims to turn monotony into a fun activity. The problem with gamifying is the nature of a play — what makes a game fun for one person might not work for another. For me, creative writing is a play of the mind, but it is probably a punishment for others. As they say, “it’s nice to have written, but it sucks to write.” But when I write, I’m free. It’s the most exquisite of games for me. In life, there are tasks we have to do and those we get lucky to do. My grandmother cooked dinner for our family for decades, as…
Book, Ethnographic & User Data, Newsletter, Pipsqueak Articles, Users
We Own Nothing
by Olga Werby •
We are living through an interesting transition as we change our relationship with physical possessions. Physical ownership is giving way to a preference for virtual goods and services. For millennia, societies operated on a “favor bank” system, where performing favors for friends and members of the community built goodwill. This mutual support was crucial during hard times. Money and trade goods came later. Personal wealth evolved from physically holding valuables to entrusting them to banks. Today, banks themselves are a web of promissory notes, not physical reserves. Caption: Not all money was easily carried about. Rai stones for instance, remained stationary. Their ownership was determined through community consensus in the societies where they were valued. We store our financial assets in the cloud. Money, stocks, property titles, and insurance policies exist mostly in digital realms. Who actually holds physical stock certificates now? While we physically possess homes and cars (and even that might change), our ownership rights are digitally recorded. Our educational achievements and professional credentials are traded electronically. Our libraries of books, music, or games have transitioned from physical shelves to digital storage. Memories, once preserved in photo albums, calendars, and diaries, are now captured in digital formats and…
Book, book promotion, Newsletter, Pipsqueak Articles
The Self Published Science Fiction Competition 2023
by Olga Werby •
So it is the end of another summer, and that means it is the start of another writing competition — SPSFC or The Self Published Science Fiction Competition. This is 3rd year this competition is being held and it is my third year participating (with 3 different books). I got to quarter finals the first year, but last year, my story was completely overlooked. I think it makes sense — I don’t write easy to characterize books. My books defy genres. They are strange, twisted, and hard to pin down. What book shelf does one assign to a story about environmental collapse that uses demons as personification of nature? If a judge is expecting a space opera, they are in for a disappointment. That said, there are really amazing stories that are submitted into this competition, stories that deserve a wide readership and because of the label “self published” don’t get it. So consider reading a few and always leave a review for those that you liked. A kind word is what indie authors live for (it’s certainly not the money). Here is this year’s book covers in all their glory! See if you can spot mine… And if you…
Book, Conceptual Design, Interaction Design, Interface Design, Newsletter, Pipsqueak Articles, Product Design Strategy, Reference
Developing a Story
by Olga Werby •
How does one choose a story? Or does a story choose its teller? For me, random triggers in my subconscious coalesce and spark inspiration that is not yet a story but rather the embryo of one. That seed, with time, might ripen enough to be worth planting. But the seed of a story doesn’t contain a compelling narrative that grabs and doesn’t let go until the very last word and beyond. A good story stays with its reader long after the last word is seen or heard. It rises unbidden in the middle of the night to infiltrate the reader’s dreams and deliver something new — a melding of what the author was trying to tell and what the reader took away. What does it take to develop a good story? A spark of imagination is one. Persistence is another — it takes time and perseverance to get words down on a page. But there’s more. I believe that good stories, like all good products, are constructed following a design process. There are always constraints on how the story needs to be told for a specific audience. There are industry demands on authors. There is a ton of background research.…
Book, book promotion, My Books, Newsletter, Pipsqueak Articles
2021 Self-Published Science Fiction Competition
by Olga Werby •
Writing is a very solitary activity. You sit alone for hours, lost in your own thoughts, hopefully putting some words down on a page. And at some point, if you are lucky, you will finish a story you set out to write or, more accurately, you will finish a story that came out as a surprise and not at all what you expected. So far, I have managed to do this repeatedly. And some of my stories went on to win competitions. So today I will write about one such competition — the very first Self-Published Fiction Competition! 300 books. 10 blogs (judges). It will take a full year to determine one supreme winner, but a few quarter-finalists have already been selected. Yours truly has made the list of quarter-finalists with Harvest. You can read more about books from my block of Book Blog of Judges at Tar Vol on. The SPSFC trophy is pretty cool, too… This is not the first time I have participated in such competitions. I entered God of Small Affairs into a similar competition but for fantasy, SPFBO. It earned a semi-finalist status: So here’s hoping for another success! In the meantime, writers that are…
Book, book promotion, Ethnographic & User Data, My Books, Newsletter, Pipsqueak Articles, Product Design Strategy
Women, Sex, and Plotlines
by Olga Werby •
I had this idea for writing a post about mothers and their children, but then I’ve decided that I’m too close to that subject at the moment and moved on to writing about sex. Sex sells, right? So here it goes: women, sex, and plotlines. Per statistica.com, 84% of romance readers are women. Obviously, that’s not a big surprise. I remember listening to a woman who was rhapsodizing about ebooks because she no longer needed to make covers to hide the fact she was reading romances on her subway rides to work. Ebooks hide lots of unique reading preferences behind their bland consumer electronics facades. And what people say they read and what they actually buy is quite revealing. The most popular answer to what genre you like to read is mystery/crime/thriller. And yet romance/erotica is by far the most profitable category at $1.44 billion, while crime/mystery came a distant second at $728.2 million. You’d be shocked, shocked to learn that people lie about what they love to read (or do). And while we are focusing a bit on statistics, here’s an interesting tidbit: engineers did research on what kinds of search relating to sex do women do as opposed…