Tag Archive for free

Musings About Time

sand hour clock

The past is gone. The future hasn’t happened yet. The present is a liminal space between two non-existent things. We’re encouraged to stay present and live in the moment. But who really does that? Primarily, it’s young children and adults under duress. Young children live in the moment; their time is now. A toddler of a certain disposition doesn’t understand that taking a nap now will make them happier later. That kind of thinking requires conceptualizing a future self and taking actions now for its benefit. Those concepts take time to develop. Children typically develop time perception roughly equal to that of an adult by about eight years of age. [(2021) Development of Young Children’s Time Perception: Effect of Age and Emotional Localization] Another set of humans who are trapped in the moment are people caught in disasters — be it wars, personal attacks, illness, weather events, or earthquakes. Like young children, these individuals are also anchored in the present. When faced with the immediate demands of a catastrophe, there is little room left to consider the past or the future. Typically, as adults, we find ourselves oscillating between the past and the future, seldom pausing to embrace the now.…

Setting. Characters. Story.

Australopithecines

Setting and characters dictate how the story will play out when told. The same story can be told in a Victorian setting, as a space opera, or as a modern day fiction. “Pride and Prejudice” in space? Sure! Darcy can be a dashing if deeply flawed space captain alien. The setting won’t change the story’s emotional tone all that much, but the details will be substantially different. Darcy can be a mage…or a dragon…or a merman…or a an enchanted sward in a fantasy novel. Darcy can be man or a woman or anything in between — it’s the character traits that matter. Imagine “Beauty and the Beast”. How many different ways can this story be told if the setting changed? Millions! In fact, we know that some readers look to read the same story over and over again set in another time and place and variations of characters. Humans get a lot of pleasure from repetition and the ending we expect (happy or not). This is one of the reasons that some people read exclusively in one genre — when personal life is complicated and unpredictable, a little surety is appreciated in one’s entertainment. People search for emotional resonance that…

Builders

Adventures into High Strangeness Header

Humans are builders. We are all given different talents and resources in life that we use to try to construct happiness for ourselves and for those we love. This continuous process of creation is not only quintessentially human but also the most common thing all animals do. All animals build, humans just take it to another level. We write and read books, make and play games, create and watch movies, paint and sculpt stories, weave musical ballads and landscapes. We are able to envision other lives and share those visions with others. I think that’s an amazing facility. We believe that we’re unique, as humans, for building by using our prodigious imagination. We don’t only build in physical and social realms, we craft fully imaginary worlds populated with people and other creatures. Perhaps whales, apes, or even other animals — the octopus? a colony of termites? — also dream up stories. It’s hard to know. I have always lived in my imagination. As a child, I made elaborate sets and toys to act out stories for myself and my friends. Our apartment gradually filled with paper and fabric cities, castles, and little animals made from scraps; I used to make…

My Writing is My Phrontistery

Martin Harvey

Phrontistery is an ancient Greek word meaning “a place for thinking.” I love cool words and phrontistery not only feels good on the tongue, but its meaning really appeals to me — it describes a space specifically dedicated to thinking! For many people, bathrooms are a perfect phrontistery. They are for me, too. Showers score high as well. But I think I do my best thinking when I write. With my fingers on the keys, I can clarify my thinking and also discover ideas that must have been hovering around my subconsciousness, ready to be revealed to my eyes through my fingers. Writing is a metaphorical phrontistery for me. And probably in the days when diaries and journals were popular, many others found capturing words in a tangible medium clarified one’s thoughts and opinions on all sorts of matters. Luckily for my friends and family, I write mostly fiction — my phrontistery cleverly hides the true identities of many. Lately, I have been devouring books at a high rate. As a result, my little collection of notes (over a thousands and counting) has been growing. I consider my notes app as part of my phrontistery. I jut down ideas for…

Stress Response

Terri the relentless tortoise

Stress is an actor in all our lives. As we grow up, our stress grows too. We perceive that stress as a sign that we are coping with more than our historical share. Every generation believes that their stress surpasses that of the generation before. So it is probably just an illusion — or delusion. What’s most important is how we cope with stress. Not all stress coping mechanisms are learned. Some are probably encoded — they come for free with our genetics. It can be easier to see these mechanisms in action by observing animals — particularly pets, whose behaviors we know intimately. Take, for example, two very different species that we have had as pets over the years — Terri the tortoise and Kushy the ferret. Terri comes from an ancient lineage of chelonians (Greek word for tortoise), who have walked and swam upon the Earth for hundreds of millions of years. Kushy the ferret is of the Mustelidae family — weasels and skunks. Kushy was a descendant of a domesticated breed of ferrets that first became pets about four thousand years ago. We bought Kushy at a pet store; Terri was a rescue. Terri’s natural habitat is…

Emotion Field

American Mythology: superhero underdogs

I saw a question on Twitter: Can readers become emotionally invested in a story if the main character is interesting but not sympathetic? My answer was that I need characters that I can care about. A superhero that has all kinds of cool and interesting superpowers is ultimately boring unless there is an emotional narrative that I can care about. I think the most important answer an author can give to their readers in the first few pages (or paragraphs) of their book is why they should care enough to read more? And that answer is always why the reader should care. I find that caring about sympathetic characters is easier than for villains, no matter how interesting those villains are. I can go for a story about a young kid who grows up to be a villain because the world forces him to become one — he wasn’t born evil, he was made to be. Villany was forced on an innocent soul in order to survive. But this just means that I’m reading a tragedy. There are lots of different types of stories. It’s never about the genre. Science fiction is just fantasy wrapped up in fancy techtalk. Romance…