Most everyone in my family, most of our friends, and a lot of our neighbors have received at least one COVID vaccination shot! It is starting to feel like this year-long nightmare is winding down. And we are lucky to live in the right country and in the right state and in the right city where things are likely to get back to normal sooner rather than later. No one can deny that this had been a very difficult year. But part of the difficulty had been our own behavior. It is quite possible that if we heeded the science and recommendations from the doctors (not the politicians), we would have been here sooner with fewer lives lost and less devastation to our economy. So why didn’t we do all we could to arrest the progress of this devastating disease? Why did we take stupid risks? Why did some people refuse to wear masks and self-isolate? Well, consider the Marshmallow Test. In brief, a Marshmallow Test is an experiment that tries to measure the delayed gratification quotient. A child is given a marshmallow (or any other small but highly desired reward) and asked to wait alone in the room with…
Tag Archive for emotional design
Book, My Books, Newsletter, Pipsqueak Articles
Stories in the Age of Pandemic
by Olga Werby •
I moved from New York to California in 1989, the year the Bay Bridge collapsed due to a powerful earthquake, the year all those people died, the year I was run over by a car while crossing the street, the year I was supposed to have gotten married but learned that my fiancé was cheating on me with my best friend. Those were just the highlights, there was much more insane stuff that happened but if I wrote it down, no one would believe it to be a true story. My life, that year, was an overwrought soap opera. It was my year of emotional pandemic. But it got better. I learned to walk again. I got my doctorate. I met the love of my life. I had two amazing kids. And now I even get to imagine whole universes in my head. I live a pretty amazing life. I’m very lucky. But it was a journey. 1989 was my year of living dangerously — I read every doomsday apocalyptic dystopian novel I could get my hands on. Literature saved my life, literally! If not for the ability to escape into another world, into another life, I would have not…
Anchoring Errors, Conceptual Design, Interaction Design, Interface Design, Mirroring Errors, Pipsqueak Articles, Product Design Strategy, Scaffolding
Thoughts on An Event Apart San Francisco
by Olga Werby •
We just returned from An Event Apart San Francisco and I am trying to put down notes and ideas while they are fresh in my mind. It was three full intense days of information — some great, some good, some not so much. But overall, it was a valuable experience (and they do conference right — great food, comfortable location, endless supply of coffee and sugar). My take is always unique — I overheard some people who were ecstatic over the presentations that I felt were completely off — but I have been in the business for over three decades now and I want ideas that are new to me. So here are my notes from the presentations. “The Fault, Dear Brutus (or: Career Advice From a Cranky Old Man)” by Jeffrey Zeldman A lot of what Jeffery spoke about resonated strongly: the need to force ourselves to get rid of disdain for our clients that just “don’t get it” — mutual respect is the foundation of designer-client relationship in conversation about design, focus on purpose and use and stay away from esthetics — every person has their own sometimes, people (clients, bosses) are incapable of seeing our growth as…
Background Knowledge, Cognitive Blindness, Conceptual Design, Cultural Bias, Pipsqueak Articles
Remarking on the Unremarkable
by Olga Werby •
What’s the difference between a consumer of good design and a designer? Well, it boils down to the ability to notice an opportunity where a product or a fix or a nudge can make a positive difference in someone’s life. During his 1989 interview with Inc Magazine, Steve Jobs famously said: “You can’t just ask customers what they want and then try to give that to them.” You see, designers don’t ask for solutions. They discover them and share them with the world. So what does it take to discover a good design solution? I believe it comes down to ability to see a pain point, to notice an opportunity, to remark on the unremarkable! Allow me to share to few examples from personal experience in the last few months. Drug Labels I recently had a heart stress test. Unfortunately, the IV drug they tried to use had an unusual side effect — my heart rate would go up and then quickly drop, enabling the doctors to perform the test. The nurses scrambled for another drug, but they also needed to make a report — such and such a drug on such and such a patient resulted in bad reaction.…
Background Knowledge, Background Knowledge Errors, Conceptual Design, Cultural Bias, Cultural Differences, Interface Design, Mirroring Errors, Perception, Perceptual Focus Errors, Pipsqueak Articles, Product Design Strategy, Scaffolding
We Are the Magicians
by Olga Werby •
We all make magic every day. Don’t think so? Then consider this, we conjure up complete worlds of information with a mere suggestion, just a bit of outline, a stroke or two, a few words, a spatter of color, a dash of melody. We literally make grand visions from just a trickle of data. This is true for those who design and those who consume information. Let’s first explore our ability to comprehend very incomplete information. Take pointillism — an art movement (technique) that required artists to create images using points of pure color — why are we able to “see” the complete image from a mere collection of dots? With just a collection of colored dots, we are all able to imagine the mood, understand the story, visualize the universe behind this painting. You can say: “well, the artist was great at using dots.” But it is not just dots that we are good at. We reconstruct our reality from little bits of incomplete data all day every day of our lives. Consider the tone of voice of the person who answered the phone — you can easily tell the mood and even guess at the personality of that…
Conceptual Design, Interaction Design, Interface Design, Pipsqueak Articles, Product Design Strategy
Fun, Creativity, and Good Design
by Olga Werby •
The best product designs not only work well, they make us smile. They solve problems we as consumers haven’t even consider yet or realized we had. Take a look at a selection of product designs below. The springy bed frame is not only functional, but a conversation starter — don’t you want to try it out? The “selfy stick” helps us take better photos of ourselves. Our arm reach is no longer a limitation or a liability — I like my portraits taken from the top to reduce that double chin! It’s fun to be elegant… until it all crushes down around us. Finger tip tray is the solution! Finger food will stay safely on top of the tray with this cool design. And again, it’s a conversation starter — a perfect tool at a party. While I’m not sure I would advertise my waist size with this imaginative belt, it could serve as a powerful reminder to keep to a diet. Serving tea to your aunt? Wouldn’t this put a smile on her face? In one of my design classes, a student proposed a bed light that would adjust to awaken the sleeper gently. This one does it with…
Conceptual Design, Product Design Strategy
Perception of Value is Situational
by Olga Werby •
When you make pancakes, do you want them perfect? Perfect in taste? Perfect in texture? Perfect in shape? Who wouldn’t, right? When I cook, I want my creations to be pleasing to my audience (usually my family). Even on cooking shows, there’s a segment which helps home cooks make their creations look more professional — i.e. more perfect. As I was looking to buy a crepe-maker (non-electric), I read a bunch of reviews for all kinds of gadgets that promised a perfect crepe. One of the important criteria was the perfection of shape — a good crepe is circular, implying that a badly made crepe has irregular borders. There were all kids of clever inventions that helped the home cook achieve this circular perfection — molds, rakes, squeeze bottles, etc. At the end of my research, I got it — my crepes better be circular! But in others circumstances, this perfection of shape has a complete opposite perception of value. If you are buying frozen, pre-made crepes, then perfectly circular shapes signals “factory-made” or “made by robots” or “cookie-cutter crepes”. All of these are now derogatory things — who would want to eat crepes made by a machine? Untouched by…