I saw a question on Twitter: Can readers become emotionally invested in a story if the main character is interesting but not sympathetic? My answer was that I need characters that I can care about. A superhero that has all kinds of cool and interesting superpowers is ultimately boring unless there is an emotional narrative that I can care about. I think the most important answer an author can give to their readers in the first few pages (or paragraphs) of their book is why they should care enough to read more? And that answer is always why the reader should care. I find that caring about sympathetic characters is easier than for villains, no matter how interesting those villains are. I can go for a story about a young kid who grows up to be a villain because the world forces him to become one — he wasn’t born evil, he was made to be. Villany was forced on an innocent soul in order to survive. But this just means that I’m reading a tragedy. There are lots of different types of stories. It’s never about the genre. Science fiction is just fantasy wrapped up in fancy techtalk. Romance…
Newsletter
Errors, Language, Newsletter, Perception, Pipsqueak Articles
The Music of Language
by Olga Werby •
The illustration above is created by Minna Sundberg. Unlike pictorial art, music is perceived and processed in time. Complex music — consisting of more than one melody woven together — is even more difficult to process than a single stream. It requires focused attention. It’s more akin to listening to several conversations at once even if they are speaking on the same topic. If attention strays for just a moment, vital data can be lost. Thus music comprehension improves over several listenings. Things like nuance in performance, which ride on top of the basic syntax and message, are easy to miss for novice listeners. Listening, like performing, requires the development of skills. Humans are poor at splitting their attention and multitasking, and thus are prone to missing a lot of details. Language is also much more than a ruled-based string of words. There is a melody to each that varies from language to language. The melody provides the underpinning of emotion to the informational content that words carry. It’s easy to create cognitive dissonance by using the wrong emotional music while delivering a message. People who are good at this are good at manipulation. This is because we listen to…
Ethnographic & User Data, Newsletter, Pipsqueak Articles
Epigenetic Consequences of War
by Olga Werby •
World War Z is upon us, and it behooves us to consider its consequences carefully. We all understand that deprivations and stresses of war leave scars on the survivors, physical and psychological. Bullet wounds, starvation and malnutrition, exposure and lack of sleep, physical exhaustion and lack of hygiene are but the most obvious horrors of war. And so are the psychological effects of watching loved ones suffer and die, living with uncertainty and constant threat, the fear, the everpresent anxiety, and complete powerlessness over one’s circumstances can cause as much physical damage as a bullet. And, of course, causing harm to another human, killing another being is a brutal assault on one’s soul and not something the perpetrator is likely to ever get over. All the endless wars that we have been fighting all over the world taught just how punishing these conflicts are on civilians and soldiers alike. No wonder we have a suicide epidemic among our veterans. The war for them is not over when they come home… But now consider what wars do to the next generation — not the survivors themselves, but to those who are born to them after the conflict is over. Again, the…
My Books, Newsletter, Pipsqueak Articles
Evolution of Empathy
by Olga Werby •
It’s Valentine’s Week and I thought to remark on empathy. First, a bit of a definition. Sympathy is when you relate to the emotional states of others. Usually, we sympathize with someone’s pain and suffering. It’s common to express (or invoke) our sympathies when someone is in a hospital or when a person we know had died. There is a whole industry dedicated to sympathy expression — flowers, cards, food, etc. Empathy is different. We might express sympathy for someone accidentally hitting their hand with a hammer, it’s a polite thing to do. But when we empathize with that person, we feel their pain. That’s a whole order of difference in our perception and understanding of the emotional and physical conditions of others. We can express sympathy without feeling any empathy. Thus sympathy is a social, cultural construct. Empathy is a true internal emotion. Empathy is something that takes time to develop. Human babies are not born empathizers. But those who learn empathy, somehow, truly become human then. For the longest time, scientists didn’t believe that any other animals other than humans were capable of feeling empathy. Of course, anyone who has ever had a pet or observed animal behavior…
book promotion, Newsletter, Pipsqueak Articles
Memory Strings
by Olga Werby •
Our lives are filled with objects and memories we collect on our journeys. It is almost like there are strings of emotions that tie us to our lives’ cabinet of curiosities. It is almost uncanny how stepping into someone’s house and seeing their possessions and their arrangement to each other tell a story of that person’s life. We can make a lot of very accurate guesses about the personalities, passions, and drives of the people by how and with what they choose to surround themselves with in their own homes. A small antique toy found in a little Paris shop, a newspaper clipping posted to the refrigerator that is a reminder of a funny incident from childhood, a giant salad bawl that had to sit on the lap for the six-hour flight home, a cute sweater that is too small but was once borrowed from a dear friend, a book that made a difference during dark times, even a little button that sits alone for over a decade waiting for the discovery of the item of clothing it belongs to — all the strange little collections of flotsams that accumulate over the course of daily living that become dear to…
Book, book promotion, My Books, Newsletter, Pipsqueak Articles
2021 Self-Published Science Fiction Competition
by Olga Werby •
Writing is a very solitary activity. You sit alone for hours, lost in your own thoughts, hopefully putting some words down on a page. And at some point, if you are lucky, you will finish a story you set out to write or, more accurately, you will finish a story that came out as a surprise and not at all what you expected. So far, I have managed to do this repeatedly. And some of my stories went on to win competitions. So today I will write about one such competition — the very first Self-Published Fiction Competition! 300 books. 10 blogs (judges). It will take a full year to determine one supreme winner, but a few quarter-finalists have already been selected. Yours truly has made the list of quarter-finalists with Harvest. You can read more about books from my block of Book Blog of Judges at Tar Vol on. The SPSFC trophy is pretty cool, too… This is not the first time I have participated in such competitions. I entered God of Small Affairs into a similar competition but for fantasy, SPFBO. It earned a semi-finalist status: So here’s hoping for another success! In the meantime, writers that are…
Conceptual Design, Newsletter, Pipsqueak Articles, Product Design Strategy, Scaffolding
The Dance
by Olga Werby •
From Russia With Love This month, I’ve teamed up with a few other indie writers who wrote stories set in Russia. There are just the seven of us, and I hope you check out our stories. I, of course, have a novel Twin Time that is set in Old Pre-Revolutionary Russia. If you click the link here, you will get to my blog that has the first few chapters free. Or you can see the whole Russian collection here: October seems like a good month to spend between the pages of stories that drop you in the middle of the cold, exotic, and thrilling faraway places. I hope you will find something good to pick up in this collection. Here’s a link to a little book trailer I’ve created for my book: The Dance I’ve published over a million words in the 14 years I’ve been writing novels. For each word I’ve written, I’ve consumed thousands. And the more I write, the more treasures I find in other people’s writing. It’s like being a botanist and visiting a forest. Everyone enjoys the beauty of walking nature trails, but a botanist spots things that remain hidden from most eyes. I am…